I Have Spoken is a collection of American Indian oratory from the 17th to the 20th century, concentrating on speeches focusing around Indian-white relationships, especially treaty-making negotiations. A few letters and other writings are also included.

Here, in their own words, is the Indian’s story told with integrity, with drama, with caustic wit, with statesmanship, with poetic impact; a story of proffered friendship, of broken promises, of hope, of disillusionment, of pride, of a whole land and life gone sour.

In recent decades, Western nations have increasingly implemented encompassing welfare state reforms that try to establish equality through social programs and governmental intervention rather than direct redistribution of funds. In this book, Christoph Arndt examines the political ramifications of reforming deeply entrenched welfare states through a careful comparative analysis of four European countries that recalibrated their system of social protection under social democratic governments.  Arndt discovers that the "third way" has produced a setback for social democrats and that the nature and scale of this setback is contingent on each country’s electoral system.

The essays in Chop Suey and Sushi from Sea to Shining Sea fill gaps in the existing food studies by revealing and contextualizing the hidden, local histories of Chinese and Japanese restaurants in the United States.

The writer of these essays show how the taste and presentation of Chinese and Japanese dishes have evolved in sweat and hardship over generations of immigrants who became restaurant owners, chefs, and laborers in the small towns and large cities of America. These vivid, detailed, and sometimes emotional portrayals reveal the survival strategies deployed in Asian restaurant kitchens over the past 150 years and the impact these restaurants have had on the culture, politics, and foodways of the United States.

Some of these authors are family members of restaurant owners or chefs, writing with a passion and richness that can only come from personal investment, while others are academic writers who have painstakingly mined decades of archival data to reconstruct the past. Still others offer a fresh look at the amazing continuity and domination of the “evil Chinaman” stereotype in the “foreign” world of American Chinatown restaurants. The essays include insights from a variety of disciplines, including history, sociology, anthropology, ethnography, economics, phenomenology, journalism, food studies, and film and literary criticism.

Chop Suey and Sushi from Sea to Shining Sea not only complements the existing scholarship and exposes the work that still needs to be done in this field, but also underscores the unique and innovative approaches that can be taken in the field of American food studies.

In The Evolution of Ceramic Production Organization in a Maya Community, Dean E. Arnold continues his unique approach to ceramic ethnoarchaeology, tracing the history of potters in Ticul, Yucatán, and their production space over a period of more than four decades. This follow-up to his 2008 work Social Change and the Evolution of Ceramic Production and Distribution uses narrative to trace the changes in production personnel and their spatial organization through the changes in production organization in Ticul.

Although several kinds of production units developed, households were the most persistent units of production in spite of massive social change and the reorientation of pottery production to the tourist market. Entrepreneurial workshops, government-sponsored workshops, and workshops attached to tourist hotels developed more recently but were short-lived, whereas pottery-making households extended deep into the nineteenth century. Through this continuity and change, intermittent crafting, multi-crafting, and potters' increased management of economic risk also factored into the development of the production organization in Ticul.

Illustrated with more than 100 images of production units, The Evolution of Ceramic Production Organization in a Maya Community is an important contribution to the understanding of ceramic production. Scholars with interests in craft specialization, craft production, and demography, as well as specialists in Mesoamerican archaeology, anthropology, history, and economy, will find this volume especially useful.

Based on fieldwork and reflection over a period of almost fifty years, Maya Potters’ Indigenous Knowledge utilizes engagement theory to describe the indigenous knowledge of traditional Maya potters in Ticul, Yucatán, Mexico. In this heavily illustrated narrative account, Dean E. Arnold examines craftspeople’s knowledge and skills, their engagement with their natural and social environments, the raw materials they use for their craft, and their process for making pottery.

Following Lambros Malafouris, Tim Ingold, and Colin Renfrew, Arnold argues that potters’ indigenous knowledge is not just in their minds but extends to their engagement with the environment, raw materials, and the pottery-making process itself and is recursively affected by visual and tactile feedback. Pottery is not just an expression of a mental template but also involves the interaction of cognitive categories, embodied muscular patterns, and the engagement of those categories and skills with the production process. Indigenous knowledge is thus a product of the interaction of mind and material, of mental categories and action, and of cognition and sensory engagement—the interaction of both human and material agency.

Engagement theory has become an important theoretical approach and “indigenous knowledge” (as cultural heritage) is the focus of much current research in anthropology, archaeology, and cultural resource management. While Dean Arnold’s previous work has been significant in ceramic ethnoarchaeology, Maya Potters' Indigenous Knowledge goes further, providing new evidence and opening up different concepts and approaches to understanding practical processes. It will be of interest to a wide variety of researchers in Maya studies, material culture, material sciences, ceramic ecology, and ethnoarchaeology.

How and why do ceramics and their production change through time? Social Change and the Evolution of Ceramic Production and Distribution in a Maya Community is a unique ethno-archaeological study that attempts to answer these questions by tracing social change among potters and changes in the production and distribution of their pottery in a the Mexican community of Ticul between 1965 and 1997.

Dean E. Arnold made ten visits to Ticul, Yucatan, Mexico, witnessing the changes in transportation infrastructure, the use of piped water, and the development of tourist resorts. Even in this context of social change and changes in the demand for pottery, most of the potters in 1997 came from the families that had made pottery in 1965. This book traces changes and continuities in that population of potters, in the demand and distribution of pottery, and in the procurement of clay and temper, paste composition, forming, and firing.

In this volume, Arnold bridges the gap between archaeology and ethnography, using his analysis of contemporary ceramic production and distribution to generate new theoretical explanations for archaeologists working with pottery from antiquity. When the descriptions and explanations of Arnold’s findings in Ticul are placed in the context of the literature on craft specialization, a number of insights can be applied to the archaeological record that confirm, contradict, and nuance generalizations concerning the evolution of ceramic specialization. This book will be of special interest to anthropologists, archaeologists, and ethnographers.

Since the days of the Spanish Conquest, the indigenous populations of Andean Bolivia have struggled to preserve their textile-based writings. This struggle continues today, both in schools and within the larger culture. The Metamorphosis of Heads explores the history and cultural significance of Andean textile writings--weavings and kipus (knotted cords), and their extreme contrasts in form and production from European alphabet-based texts. Denise Arnold examines the subjugation of native texts in favor of European ones through the imposition of homogenized curricula by the Educational Reform Law. As Arnold reveals, this struggle over language and education directly correlates to long-standing conflicts for land ownership and power in the region, since the majority of the more affluent urban population is Spanish speaking, while indigenous languages are spoken primarily among the rural poor. <I>The Metamorphosis of Heads</I> acknowledges the vital importance of contemporary efforts to maintain Andean history and cultural heritage in schools, and shows how indigenous Andean populations have incorporated elements of Western textual practices into their own textual activities.

Based on extensive fieldwork over two decades, and historical, anthropological, and ethnographic research, Denise Arnold assembles an original and richly diverse interdisciplinary study. The textual theory she proposes has wider ramifications for studies of Latin America in general, while recognizing the specifically regional practices of indigenous struggles in the face of nation building and economic globalization.

“California’s Ancient Past is an excellent introduction and overview of the archaeology and ancient peoples of this diverse and dynamic part of North America. Written in a concise and approachable format, the book provides an excellent foundation for students, the general public, and scholars working in other regions around the world. This book will be an important source of information on California’s ancient past for years to come.”—Torben C. Rick, Smithsonian Institution

A gripping portrait of life in the hard-bitten wilderness of Revolutionary Kentucky, Harriette Simpson Arnow’s The Kentucky Trace follows surveyor William David Leslie Collins as he struggles to survive. Collins finds his fellow settlers to be almost as inscrutable as the weather—at times, they are allies, and at others, they are adversaries. Collins battles nature, bad luck, and the quickly shifting political tides to make his way in a changing world. Showcasing Arnow’s ear for dialogue and offering a wealth of historical detail, The Kentucky Trace is a masterful work of fiction by a preeminent Appalachian writer.

Masterfully wrought and keenly observed, Mountain Path draws on Harriette Simpson Arnow’s experiences as a schoolteacher in downtrodden Pulaski County, Kentucky, deep in the heart of Appalachia, prior to WWII. Far from a quaint portrait of rural life, Arnow’s novel documents hardships, poverty, illiteracy, and struggles. She also recognizes a fragile cultural richness, one characterized by “those who like open fires, hounds, children, human talk and song instead of TV and radio, the wisdom of the old who had seen all of life from birth to death,” and which has since been eroded by the advent of highways and industry. In Mountain Path, Arnow exquisitely captures the voices, faces, and ways of a people she cared for deeply, and who evoked in her a deep respect and admiration.

As compelling as it is turbulent, The Weedkiller’s Daughter captures a family at the center of the rapidly changing society of midcentury Detroit. Fifteen-year-old Susie greets this new era with a sense of curiosity, while her father rages against it, approaching anything and everything foreign, unconventional, or unfortunate as he does the weeds he perpetually removes from his garden. As Susie seeks escape from her parents’ increasingly restrictive world of order and monotony, she ventures deeper and deeper into a dangerously new territory. The Weedkiller’s Daughter is a gripping psychological exploration of a generation on the brink of indelible—and irreversible—transformation.

Anjali Arondekar considers the relationship between sexuality and the colonial archive by posing the following questions: Why does sexuality (still) seek its truth in the historical archive? What are the spatial and temporal logics that compel such a return? And conversely, what kind of “archive” does such a recuperative hermeneutics produce? Rather than render sexuality’s relationship to the colonial archive through the preferred lens of historical invisibility (which would presume that there is something about sexuality that is lost or silent and needs to “come out”), Arondekar engages sexuality’s recursive traces within the colonial archive against and through our very desire for access.

The logic and the interpretive resources of For the Record arise out of two entangled and minoritized historiographies: one in South Asian studies and the other in queer/sexuality studies. Focusing on late colonial India, Arondekar examines the spectacularization of sexuality in anthropology, law, literature, and pornography from 1843 until 1920. By turning to materials and/or locations that are familiar to most scholars of queer and subaltern studies, Arondekar considers sexuality at the center of the colonial archive rather than at its margins. Each chapter addresses a form of archival loss, troped either in a language of disappearance or paucity, simulacrum or detritus: from Richard Burton’s missing report on male brothels in Karáchi (1845) to a failed sodomy prosecution in Northern India, Queen Empress v. Khairati (1884), and from the ubiquitous India-rubber dildos found in colonial pornography of the mid-to-late nineteenth century to the archival detritus of Kipling’s stories about the Indian Mutiny of 1857.

Staging a much-needed conversation between two often-segregated fields, this issue addresses the promising future of queer and area studies as collaborative formations. Within queer studies, the turn to geopolitics has challenged the field's logics of time, space, and culture, which have routinely been rooted in the United States. For area studies, the focus on diaspora, forced migration, and other transnational trajectories has unmoored the geopolitical from the stability of nations as organizing concepts. The contributors to this issue seek to imagine and broker conversations between the two fields in which "area" becomes the form through which epistemologies of empire and market are critiqued. Histories of debt bondage; sexuality, and indentured labor; Afro-pessimism in African studies; trans theater facing obdurate transits; religion and the politics of Dalit modernity; the biopolitics of maiming: these are some of the conduits through which the authors approach a queer geopolitics.

Contributors: Anjali Arondekar, Ashley Currier, Aliyah Khan, Keguro Macharia, Thérèse Migraine-George, Maya Mikdashi, Geeta Patel, Jasbir K. Puar, Lucinda Ramberg, Neferti Tadiar, Diana Taylor, Ronaldo Wilson

This classic study of the American working class, originally published in 1973, is now back in print with a new introduction and epilogue by the author. An innovative blend of first-person experience and original scholarship, Aronowitz traces the historical development of the American working class from post-Civil War times and shows why radical movements have failed to overcome the forces that tend to divde groups of workers from one another. The rise of labor unions is analyzed, as well as their decline as a force for social change. Aronowitz&rsquo;s new introduction situates the book in the context of developments in current scholarship and the epilogue discusses the effects of recent economic and political changes in the American labor movement.

As a lifelong radical and political activist, Ronald Aronson accepted an invitation to lecture in South Africa only after two years of deliberation. "Stay Out of Politics," which begins with the moral questions that Aronson confronted in his decision to go, is a reaffirmation of the necessity for majority rule and the abolition of apartheid. Amidst the pressure of widespread talk of an academic boycott of South Africa, Aronson decided to lecture there as a contribution to the struggle for majority rule. He decided to become mobilized as a philosopher and activist by engaging in the effort close at hand rather than settling for a distant and comfortable protest by avoidance.

Along with his visa, Aronson was given the following warning by a consular officer: "Stay out of politics!" Believing that philosophy not only has a role to play but that it can, and must, involve itself in the vital social and political issues of our time, Aronson equally discovered that in South Africa politics is everywhere and inescapable. The lectures Aronson delivered focused on the meaning of progress and hope, on the threat—and experience—of disaster today, and on our responsibility to join the struggle for a humane and rational world. Two of the most provocative lectures are included here, the first a discussion of the Holocaust that has direct and intentional applications to the current situation in South Africa. The second lecture, in memory of the assassinated political philosopher Richard Turner, is a sketch of Aronson's philosophy of hope as seen from within the South African context.

Despite the limitations of teaching under possible surveillance in a revolutionary situation, Aronson witnessed the social reality of apartheid and heard the voices of its victims. Aronson's love for the South African people motivated him to write this powerful account. He presents a lecturer's tour of South Africa: the experiences that both confirmed his belief in the urgent need for majority rule but also revealed the complexities of the society that seeks to continue apartheid through all reforms; and his philosopher's reflections upon returning to the United States on the irrationality of apartheid and the ambiguities of the struggle to end it.

"Stay Out of Politics" is not only a powerful encounter with South Africa today, it is a provocative statement about philosophy—its nature, its tasks, its duty to understand and change the world in which we live.

Mexican Chicago builds on previous studies of Mexicans in the United States while challenging static definitions of “American” and underlying assumptions of assimilation. Gabriela F. Arredondo contends that because of the revolutionary context from which they came, Mexicans in Chicago between 1916 and 1939 were not just another ethnic group working to be assimilated into a city that has a long history of incorporating newcomers. Suggesting a new understanding of identity formation, she argues that Mexicans wielded tools of identification forged in revolutionary Mexico to collectively battle the prejudices of ethnic groups that included Poles, Italians, and the Irish, as well as African Americans. By turning inward, however, Mexicans also highlighted tremendous differences among themselves, such as gender and class. In discussing this distinctive process of becoming “Mexican” in Chicago during the early twentieth century, Arredondo not only explores how that identity was constructed but also provides telling insight into the repercussions of that identity formation process.

Postcards have a magical pull. They allow us to see the past through charming relics that allow us to travel back in time. Daniel D. Arreola’s Postcards from the Baja California Border offers a window into the historical and geographical past of storied Mexican border communities. Once-popular tourist destinations from the 1900s through the 1950s, the border communities explored in Postcards from the Baja California Border used to be filled with revelers, cabarets, curio shops, and more. The postcards in this book show the bright and dynamic past of California’s borderlands while diving deep into the historic and geographic significance of the imagery found on the postcards.

This form of place study calls attention to how we can see a past through a serial view of places, by the nature of repetition, and the photographing of the same place over and over again. Arreola draws our focus to townscapes, or built landscapes, of four border towns—Tijuana, Mexicali, Tecate, and Algodones—during the first half of the twentieth century. With an emphasis on the tourist’s view of these places, this book creates a vivid picture of what life was like for tourists and residents of these towns in the early and mid-twentieth century. Postcards from the Baja California Border is a rich and fascinating experience, one that takes you on a time-travel journey through border town histories and geographies while celebrating the visual intrigue of postcards.

 

The mighty Hoover Dam, starting as a dream of land developers and farmers, became the most ambitious civil engineering project of the Great Depression. This landmark in the middle of the Mojave Desert, holding back the largest man-made lake in America, also became, like Mount Rushmore or the Empire State Building, a visual and cultural icon. The power and meanings of this icon came not through a single image but via myriad visual representations, in government propaganda, advertising, journalism, and art. Even before it was built, these images were used to shape the public’s perception of the project and frame the dam as the linchpin to an expanding American economic empire in the desert Southwest.

Anthony F. Arrigo has researched a wide array of primary sources and archival materials to trace the project from its earliest representations in illustrations to the documentary photography of its construction and later depictions of the structure in commercial promotions, fine art photography, and paintings. Analyzing Hoover Dam through the trajectory of imagery across several decades, rather than the narrative of its construction, illuminates the underlying cultural and ecological imperatives in the drive to build it, including the influence of religious doctrine and the American agrarian movement. Arrigo also discusses various portrayals of laborers, women, minority groups, nature, and technology in this imagery. In time, the visual icon of power and domination was commercialized to sell cars, vacations, and more.

Imaging Hoover Dam is an important work in both visual rhetoric and cultural studies. It will also intrigue readers interested in such varied topics as the history of the American Southwest, the Great Depression and the New Deal, social and environmental issues, and American popular culture.

Philosophy, Crime, and Criminology represents the first systematic attempt to unpack the philosophical foundations of crime in Western culture. Utilizing the insights of ontology, epistemology, aesthetics, and ethics, contributors demonstrate how the reality of crime is informed by a number of implicit assumptions about the human condition and unstated values about civil society.
 
Charting a provocative and original direction, editors Bruce A. Arrigo and Christopher R. Williams couple theoretically oriented chapters with those centered on application and case study. In doing so, they develop an insightful, sensible, and accessible approach for a philosophical criminology in step with the political and economic challenges of the twenty-first century. Revealing the ways in which philosophical conceits inform prevailing conceptions of crime, Philosophy, Crime, and Criminology is required reading for any serious student or scholar concerned with crime and its impact on society and in our lives.
 

In 1774 Mexico City leaders created the Mexico City Poor House—the centerpiece of a bold experiment intended to eliminate poverty and impose a new work ethic on former beggars by establishing a forcible internment policy for some and putting others to work. In Containing the Poor Silvia Marina Arrom tells the saga of this ill-fated plan, showing how the asylum functioned primarily to educate white orphans instead of suppressing mendicancy and exerting control over the multiracial community for whom it was designed.
For a nation that had traditionally regarded the needy as having the undisputed right to receive alms and whose affluent citizens felt duty-bound to dispense them, the experiment was doomed from the start, explains Arrom. She uses deep archival research to reveal that—much to policymakers’ dismay—the Poor House became an orphanage largely because the government had underestimated the embeddedness of this moral economy of begging. While tracing the course of an eventful century that also saw colonialism give way to republicanism in Mexico, Arrom links the Poor House’s transformation with other societal factors as well, such as Mexican women’s increasing impact on social welfare policies.
With poverty, begging, and homelessness still rampant in much of Latin America today, this study of changing approaches to social welfare will be particularly valuable to student and scholars of Mexican and Latin American society and history, as well as those engaged in the study of social and welfare policy.

Sown in Earth is a collection of personal memories that speak to the larger experiences of hardworking migratory men. Often forgotten or silenced, these men are honored and remembered in Sown in Earth through the lens of Arroyo’s memories of his father. Arroyo recollects his father’s anger and alcohol abuse as a reflection of his place in society, in which his dreams and disappointments are patterned by work and poverty, loss and displacement, memory and belonging.

In Sown in Earth, Arroyo often roots his thoughts and feelings in place, expressing a deep connection to the small homes he inhabited in his childhood, his warm and hazy memories of his grandmother’s kitchen in Puerto Rico, the rivers and creeks he fished, and the small cafés in Madrid that inspired writing and reflection in his adult years. Swirling in romantic moments and a refined love for literature, Arroyo creates a sense of belonging and appreciation for his life despite setbacks and complex anxieties along the way.

By crafting a written journey through childhood traumas, poverty, and the impact of alcoholism on families, Fred Arroyo clearly outlines how his lived experiences led him to become a writer. Sown in Earth is a shocking yet warm collage of memories that serves as more than a memoir or an autobiography. Rather, Arroyo recounts his youth through lyrical prose to humanize and immortalize the hushed lives of men like his father, honoring their struggle and claiming their impact on the writers and artists they raised.
 

In Caribes 2.0, author Jossianna Arroyo looks at the Caribbean mediasphere in the twenty-first century. Arroyo argues that we have seen a return to tropes such as blackface, brownface, cultural and ethnic stereotypes, and violent representations of the poor, the marginalized, and the racialized. Caribes 2.0 looks at these tropes as well as the work of writers, vloggers, performers, and photographers that have become media figures or have used new media platforms to promote their work and examines how they are challenging and negotiating these media representations. It analyzes contemporary Caribbean cultures to discuss, taste, guides, and actions (social and virtual) that shape Caribbean global communities today. Departing from Edouard Glissant’s insight that “Caribbean reality might not be accessed by remote control” the book considers what types of political and social agencies are created by mediation. Caribes 2.0 deviates from these historical-globalized views of subjected, colonized Caribbean bodies, and their material conditions, to examine the relationship between the local and the global in contemporary Caribbean cultures, and the role that media is playing in the invisibility or hyper-visibilty of Caribbean cultures in the islands and the U.S. diaspora.
 

Although plastic and metal vessels offer significant advantages and have almost universally supplanted ceramics throughout the world, pottery fragments are one of the most ubiquitous artifacts in the archaeological record.
The southwestern region of Ethiopia is one of the few places in the world where locally made pottery is still the dominant choice for everyday domestic use. The Gamo people continue to produce and use pottery for transporting water, cooking, storing, and serving. Ethnoarchaeology undertaken in a society where people still use low-fired ceramics in daily life provides a powerful framework for archaeological inferences, especially since little behavioral information exists concerning the relationship between status, wealth, and household pottery.

Based on John Arthur’s extensive fieldwork, this study sheds light on some of the puzzles common to archaeology in any region. It also helps decipher evidence of inter- and intravillage social and economic organization and offers insight on markers for pottery-producing and nonproducing villages and socioeconomic variability.

Few books have ever made their presence felt on college campuses—and newspaper opinion pages—as quickly and thoroughly as Richard Arum and Josipa Roksa’s 2011 landmark study of undergraduates’ learning, socialization, and study habits, Academically Adrift: Limited Learning on College Campuses. From the moment it was published, one thing was clear: no university could afford to ignore its well-documented and disturbing findings about the failings of undergraduate education.

 

Now Arum and Roksa are back, and their new book follows the same cohort of undergraduates through the rest of their college careers and out into the working world. Built on interviews and detailed surveys of almost a thousand recent college graduates from a diverse range of colleges and universities, Aspiring Adults Adrift reveals a generation facing a difficult transition to adulthood. Recent graduates report trouble finding decent jobs and developing stable romantic relationships, as well as assuming civic and financial responsibility—yet at the same time, they remain surprisingly hopeful and upbeat about their prospects.

 

Analyzing these findings in light of students’ performance on standardized tests of general collegiate skills, selectivity of institutions attended, and choice of major, Arum and Roksa not only map out the current state of a generation too often adrift, but enable us to examine the relationship between college experiences and tentative transitions to adulthood. Sure to be widely discussed, Aspiring Adults Adrift will compel us once again to re-examine the aims, approaches, and achievements of higher education.

 

In the global south, women have and continue to resist multiple forms of structural violence. The atrocities committed against Yazidi women by ISIS have been recognized internationally, and the Nobel Peace Prize awarded to Nadia Murad in 2018 was a tribute to honor women whose bodies have been battered in the name of race, nationality, war, and religion. In the Crossfire of History:Women's War Resistance Discourse in the Global South is an edited collection that incorporates literary works, testimonies, autobiographies, women’s resistance movements, and films that add to the conversation on the resilience of women in the global south. The collection focuses on Palestine, Kashmir, Syria, Kurdistan, Congo, Argentina, Central America, Sri Lanka, and Bangladesh. The essays question historical accuracy and politics of representation that usually undermine women’s role during conflict, and they reevaluate how women participated, challenged, sacrificed, and vehemently opposed war discourses that erase women’s role in shaping resistance movements.

The transformative mode of these examples expands the definition of heroism and defiance. To prevent these types of heroism from slipping into the abyss of history, this collection brings forth and celebrates women’s fortitude in conflict zones. In the Crossfire of History shines a light onwomen across the globe who are resisting the sociopolitical and economic injustices in their nation-states.
 

 

In Tropical Freedom Ikuko Asaka engages in a hemispheric examination of the intersection of emancipation and settler colonialism in North America. Asaka shows how from the late eighteenth century through Reconstruction, emancipation efforts in the United States and present-day Canada were accompanied by attempts to relocate freed blacks to tropical regions, as black bodies were deemed to be more physiologically compatible with tropical climates. This logic conceived of freedom as a racially segregated condition based upon geography and climate. Regardless of whether freed people became tenant farmers in Sierra Leone or plantation laborers throughout the Caribbean, their relocation would provide whites with a monopoly over the benefits of settling indigenous land in temperate zones throughout North America. At the same time, black activists and intellectuals contested these geographic-based controls by developing alternative discourses on race and the environment. By tracing these negotiations of the transnational racialization of freedom, Asaka demonstrates the importance of considering settler colonialism and black freedom together while complicating the prevailing frames through which the intertwined histories of British and U.S. emancipation and colonialism have been understood.

This new edition of The Afrocentric Idea boldly confronts the contemporary challenges that have been launched against Molefi Kete Asante's philosophical, social, and cultural theory. By rendering  a critique of some post-modern positions as well as the old structured Eurocentric orientations discussed in the first edition, this new edition contains lively engagements with views expressed by Mary Lefkowitz, Paul Gilroy, and Cornel West. Expanding on his core ideas, Asante has cast The Afrocentric Idea in the tradition of provocative critiques of the established social order. This is a fresh and dynamic location of culture within the context of  social change.

Wild Bill’s ever-evolving legend

When it came to the Wild West, the nineteenth-century press rarely let truth get in the way of a good story. James Butler “Wild Bill” Hickok’s story was no exception. Mythologized and sensationalized, Hickok was turned into the deadliest gunfighter of all, a so-called moral killer, a national phenomenon even while he was alive.

Rather than attempt to tease truth from fiction, coauthors Paul Ashdown and Edward Caudill investigate the ways in which Hickok embodied the culture of glamorized violence Americans embraced after the Civil War and examine the process of how his story emerged, evolved, and turned into a viral multimedia sensation full of the excitement, danger, and romance of the West.

Journalists, the coauthors demonstrate, invented “Wild Bill” Hickok, glorifying him as a civilizer. They inflated his body count and constructed his legend in the midst of an emerging celebrity culture that grew up around penny newspapers. His death by treachery, at a relatively young age, made the story tragic, and dime-store novelists took over where the press left off. Reimagined as entertainment, Hickok’s legend continued to enthrall Americans in literature, on radio, on television, and in the movies, and it still draws tourists to notorious Deadwood, South Dakota.

American culture often embraces myths that later become accepted as popular history. By investigating the allure and power of Hickok’s myth, Ashdown and Caudill explain how American journalism and popular culture have shaped the way Civil War–era figures are remembered and reveal how Americans have embraced violence as entertainment.
 

In Black and Green, Kiran Asher provides a powerful framework for reconceptualizing the relationship between neoliberal development and social movements. Moving beyond the notion that development is a hegemonic, homogenizing force that victimizes local communities, Asher argues that development processes and social movements shape each other in uneven and paradoxical ways. She bases her argument on ethnographic analysis of the black social movements that emerged from and interacted with political and economic changes in Colombia’s Pacific lowlands, or Chocó region, in the 1990s.

The Pacific region had yet to be overrun by drug traffickers, guerrillas, and paramilitary forces in the early 1990s. It was better known as the largest area of black culture in the country (90 percent of the region’s population is Afro-Colombian) and as a supplier of natural resources, including timber, gold, platinum, and silver. Colombia’s Law 70, passed in 1993, promised ethnic and cultural rights, collective land ownership, and socioeconomic development to Afro-Colombian communities. At the same time that various constituencies sought to interpret and implement Law 70, the state was moving ahead with large-scale development initiatives intended to modernize the economically backward coastal lowlands. Meanwhile national and international conservation organizations were attempting to protect the region’s rich biodiversity. Asher explores this juxtaposition of black rights, economic development, and conservation—and the tensions it catalyzed. She analyzes the meanings attached to “culture,” “nature,” and “development” by the Colombian state and Afro-Colombian social movements, including women’s groups. In so doing, she shows that the appropriation of development and conservation discourses by the social movements had a paradoxical effect. It legitimized the presence of state, development, and conservation agencies in the Pacific region even as it influenced those agencies’ visions and plans.

In March 2009, in a small town in Malawi, a nurse at the local hospital was accused of teaching witchcraft to children. Amid swirling rumors, “Mrs. K.” tried to defend her reputation, but the community nevertheless grew increasingly hostile. The legal, social, and psychological trials that she endured in the struggle to clear her name left her life in shambles, and she died a few years later.
 
In The Trials of Mrs. K., Adam Ashforth studies this and similar stories of witchcraft that continue to circulate in Malawi. At the heart of the book is Ashforth’s desire to understand how claims to truth, the pursuit of justice, and demands for security work in contemporary Africa, where stories of witchcraft can be terrifying. Guiding us through the history of legal customs and their interactions with the court of public opinion, Ashforth asks challenging questions about responsibility, occult forces, and the imperfect but vital mechanisms of law. A beautifully written and provocative book, The Trials of Mrs. K. will be an essential text for understanding what justice means in a fragile and dangerous world.  
 

How does democracy fare when the people governed insist they live in a world with witches? If the government of a people afflicted by witchcraft refuses to punish witches, how does it avoid becoming alienated from the perceived needs of its people or, worse, seen as being in league with witches? In Soweto, South Africa, the constant threat of violent crime, the increase in black socio-economic inequality, the AIDS pandemic, and a widespread fear of witchcraft have converged to create a pervasive sense of insecurity among citizens and a unique public policy problem for government.

In Witchcraft, Violence, and Democracy in South Africa, Adam Ashforth examines how people in Soweto and other parts of post-apartheid South Africa manage their fear of 'evil forces' such as witchcraft. Ashforth examines the dynamics of insecurity in the everyday life of Soweto at the turn of the twenty-first century. He develops a new framework for understanding occult violence as a form of spiritual insecurity and documents new patterns of interpretation attributing agency to evil forces. Finally, he analyzes the response of post-apartheid governments to issues of spiritual insecurity and suggests how these matters pose severe long-term challenges to the legitimacy of the democratic state.

Anti-Heimat Cinema: The Jewish Invention of the German Landscape studies an overlooked yet fundamental element of German popular culture in the twentieth century. In tracing Jewish filmmakers’ contemplations of “Heimat”—a provincial German landscape associated with belonging and authenticity—it analyzes their distinctive contribution to the German identity discourse between 1918 and 1968. In its emphasis on rootedness and homogeneity Heimat seemed to challenge the validity and significance of Jewish emancipation. Several acculturation-seeking Jewish artists and intellectuals, however, endeavored to conceive a notion of Heimat that would rather substantiate their belonging. This book considers Jewish filmmakers’ contribution to this endeavor. It shows how they devised the landscapes of the German “Homeland” as Jews, namely, as acculturated, “outsiders within.” Through appropriation of generic Heimat imagery, the films discussed in the book integrate criticism of national chauvinism into German mainstream culture from World War One to the Cold War. Consequently, these Jewish filmmakers anticipated the anti-Heimat film of the ensuing decades, and functioned as an uncredited inspiration for the critical New German Cinema.

Archaeological ideas and practices have experienced transformative change since the Society for American Archaeology’s fiftieth Anniversary. Authors in this volume from the SAA press consider critically some of today’s most noteworthy issues. Their voices—like their views—are as diverse as the discipline. Nonetheless, they repeatedly recognize deep articulation between archaeology and social, economic, and political milieus, from local to global scales. And they share conviction that much is to be done in the years ahead. This volume aims to rouse more voices to join the lively ongoing conversation.

Since its founding in 1964, the United Republic of Tanzania has used music, dance, and other cultural productions as ways of imagining and legitimizing the new nation. Focusing on the politics surrounding Swahili musical performance, Kelly Askew demonstrates the crucial role of popular culture in Tanzania's colonial and postcolonial history.

As Askew shows, the genres of ngoma (traditional dance), dansi (urban jazz), and taarab (sung Swahili poetry) have played prominent parts in official articulations of "Tanzanian National Culture" over the years. Drawing on over a decade of research, including extensive experience as a taarab and dansi performer, Askew explores the intimate relations among musical practice, political ideology, and economic change. She reveals the processes and agents involved in the creation of Tanzania's national culture, from government elites to local musicians, poets, wedding participants, and traffic police. Throughout, Askew focuses on performance itself—musical and otherwise—as key to understanding both nation-building and interpersonal power dynamics.

One of the most original and prolific economists of the twentieth century, Joan Robinson (1903–83) is widely regarded as the most important woman in the history of economic thought. Robinson studied economics at Cambridge University, where she made a career that lasted some fifty years. She was an unlikely candidate for success at Cambridge. A young woman in 1930 in a university dominated by men, she succeeded despite not having a remarkable academic record, a college fellowship, significant publications, or a powerful patron. In The Provocative Joan Robinson, Nahid Aslanbeigui and Guy Oakes trace the strategies and tactics Robinson used to create her professional identity as a Cambridge economist in the 1930s, examining how she recruited mentors and advocates, carefully defined her objectives, and deftly pursued and exploited opportunities.

Aslanbeigui and Oakes demonstrate that Robinson’s professional identity was thoroughly embedded in a local scientific culture in which the Cambridge economists A. C. Pigou, John Maynard Keynes, Dennis Robertson, Piero Sraffa, Richard Kahn (Robinson’s closest friend on the Cambridge faculty), and her husband Austin Robinson were important figures. Although the economists Joan Robinson most admired—Pigou, Keynes, and their mentor Alfred Marshall—had discovered ideas of singular greatness, she was convinced that each had failed to grasp the essential theoretical significance of his own work. She made it her mission to recast their work both to illuminate their major contributions and to redefine a Cambridge tradition of economic thought. Based on the extensive correspondence of Robinson and her colleagues, The Provocative Joan Robinson is the story of a remarkable woman, the intellectual and social world of a legendary group of economists, and the interplay between ideas, ambitions, and disciplinary communities.

This fascinating volume reveals some of the dark, dramatic episodes concealed in the folds of the hasidic cloak—shocking events and anomalous figures in the history of Hasidism. Using tools of detection, Assaf extracts historical truth from a variety of sources by examining how the same events are treated in different memory traditions, whether hasidic, maskilic, or modern historical, and tells the stories of individuals from the hasidic elites who found themselves unable to walk the trodden path. By placing these episodes and individuals under his historical lens, Assaf offers a more nuanced historical portrayal of Hasidism in the nineteenth-century context.

In 1985, police bombed the Philadelphia community occupied by members of the black counterculture group MOVE (short for “The Movement”).  What began fifteen years earlier as a neighborhood squabble provoked by conflicting lifestyles ended in the destruction of sixty-one homes and the death of eleven residents - five of them children.  Some 250 people were left homeless.

Was this tragedy the only solution to the conflict?  Were John Africa and his morally and ecologically idealistic followers “too crazy” to negotiate with? 

The authors interviewed MOVE members and their neighbors, third-party intervenors, and representatives of the Philadelpia administration in the 1970s, and draw on their own knowledge of the field of dispute resolution.  More than simply describing a terrible event, they examine the dynamics of conflict, analyzing attempts at third-party mediation and the possibility of resolution without violence.  Their analytical approach provides insight into other major conflicts, such as the problems of perception and misperception in U.S. - Iranian relations.

In an age when terrorism and hostage-taking are regular features on the six o’clock news, their questioning of traditional views on negotiation with “irrational” adversaries is especially important.

In 2015, an unprecedented number of people from Africa and the Near East took flight and sought refuge in Europe. By the end of that year, some 1.8 million migrants had arrived in the EU, the vast majority having come across the Mediterranean. Since then, despite measures to host some of the people fleeing the Syrian war in Turkey and concurrent attempts to physically seal off some borders in Eastern Europe, the numbers of refugees traveling to Europe has continued to top half a million annually.  A mass migration on a scale not witnessed in modern times is underway, and it has presented Europe with its greatest challenge of the twenty-first century.

Asfa-Wossen Asserate argues here that building higher fences or finding more effective methods of integration will only, in the long term, perpetuate rather than solve the problems associated with these large numbers of displaced refugees. We need to realize that we are only treating the symptoms of an oncoming catastrophe and that, if we are to respond to mass migration, we will ultimately have to understand its causes. African Exodus places its emphasis firmly on the causes of the refugee crisis, which are to be found not least in Europe itself, and charts ways in which we might deal with it effectively in the long term.

In the course of this analysis, Asserate asks why our view of Africa—a troubled continent, but rich in so many ways—is so distorted. How can we combat the corrupt, authoritarian regimes that stymie progress and development? Why are millions fleeing to Europe? How is the EU complicit in the migration crisis? And finally, in practical terms: what can be done, and what prospects does the future hold?
 

As the official resource of ABS, Issues in Race & Society is a double-blind, peer-reviewed academic journal. The biannual journal distinguishes itself as an interdisciplinary, comprehensive, and global examination of the increasingly racial and racialized world that connects us all. It provides a space where all voices can be heard and diverse conversations can occur about the relationship and interconnections between race, power, privilege, and location operating across cultures and societies.

As the official resource of ABS, Issues in Race & Society is a double-blind, peer-reviewed academic journal. The biannual journal distinguishes itself as an interdisciplinary, comprehensive, and global examination of the increasingly racial and racialized world that connects us all. It provides a space where all voices can be heard and diverse conversations can occur about the relationship and interconnections between race, power, privilege, and location operating across cultures and societies.

As the official resource of ABS, Issues in Race & Society is a double-blind, peer-reviewed academic journal. The biannual journal distinguishes itself as an interdisciplinary, comprehensive, and global examination of the increasingly racial and racialized world that connects us all. It provides a space where all voices can be heard and diverse conversations can occur about the relationship and interconnections between race, power, privilege, and location operating across cultures and societies.

“Sustainability is not a buzz-word anymore; it’s a matter of survival. Meaningful achievement in sustainability will require significant paradigm shifts in attitudes about how we live, how we consume resources, how we govern ourselves and how we transport people and goods.  Asti’s excellent exploration of the issues is a must-read.”
-- Subrata Basu, AIA, AICP                                                                                                                                       Miami-Dade County Department of Planning and Zoning
 
 
“Industries, health care, education and others are trying to tread more lightly on our environment.  To achieve sustainability goals our times demand, we must work together to maximize the benefit to our communities.  Asti has always seen the larger picture and encouraged orchestration of diverse initiatives.  The Chicken Came First is full of knowledge, sensitivity, and insights certain to advance the achievement of sustainable communities.”
                --Richard Renfro, AIA
                Renfro Design Group, AIA, New York City

In this work, anthropologist Barbara C. Aswad presents an analysis of social organization and land control of a Middle Eastern tribal society that has become sedentarized, with particular focus on kinship and marriage and other strategies of mobility. Aswad did her research in villages of the Al Shiukh tribe in southern Turkey along the Syrian border in 1964 and 1965.

Community-based participatory research (CBPR) presents unique ethical and practical challenges, particularly for graduate students. This volume explores the nuanced experience of conducting CBPR as a PhD student. It explains the essential roles of developing trust and community relationships, the uncertainty in timing and direction of CBPR projects that give decision-making authority to communities, and the politics and ethical quandaries when deploying CBPR approaches—both for communities and for graduate students.

The Community-Based PhD brings together the experiences of PhD students from a range of disciplines discussing CBPR in the arts, humanities, social sciences, public health, and STEM fields. They write honestly about what worked, what didn’t, and what they learned. Essays address the impacts of extended research time frames, why specialized skill sets may be needed to develop community-driven research priorities, the value of effective relationship building with community partners, and how to understand and navigate inter- and intra-community politics.

This volume provides frameworks for approaching dilemmas that graduate student CBPR researchers face. They discuss their mistakes, document their successes, and also share painful failures and missteps, viewing them as valuable opportunities for learning and pushing the field forward. Several chapters are co-authored by community partners and provide insights from diverse community perspectives. The Community-Based PhD is essential reading for graduate students, scholars, and the faculty who mentor them in a way that truly crosses disciplinary boundaries.

Contributors: Anna S. Antoniou, Amy Argenal, Sonya Atalay, Stacey Michelle Chimimba Ault, Victoria Bochniak, Megan Butler, Elias Capello, Ashley Collier-Oxandale, Samantha Cornelius, Annie Danis, Earl Davis, John Doyle, Margaret J. Eggers, Cyndy Margarita García-Weyandt, R. Neil Greene, D. Kalani Heinz, Nicole Kaechele, Myra J. Lefthand, Emily Jean Leischner, Christopher B. Lowman, Geraldine Low-Sabado, Alexandra G. Martin, Christine Martin, Alexandra McCleary, Chelsea Meloche, Bonnie Newsom, Katherine L. Nichols, Claire Novotny, Nunanta (Iris Siwallace), Reidunn H. Nygård, Francesco Ripanti, Elena Sesma, Eric Simons, Cassie Lynn Smith, Tanupreet Suri, Emery Three Irons, Arianna Trott, Cecilia I. Vasquez, Kelly D. Wiltshire, Julie Woods, Sara L. Young
 

In Surrogate Humanity Neda Atanasoski and Kalindi Vora trace the ways in which robots, artificial intelligence, and other technologies serve as surrogates for human workers within a labor system entrenched in racial capitalism and patriarchy. Analyzing myriad technologies, from sex robots and military drones to sharing-economy platforms, Atanasoski and Vora show how liberal structures of antiblackness, settler colonialism, and patriarchy are fundamental to human---machine interactions, as well as the very definition of the human. While these new technologies and engineering projects promise a revolutionary new future, they replicate and reinforce racialized and gendered ideas about devalued work, exploitation, dispossession, and capitalist accumulation. Yet, even as engineers design robots to be more perfect versions of the human—more rational killers, more efficient workers, and tireless companions—the potential exists to develop alternative modes of engineering and technological development in ways that refuse the racial and colonial logics that maintain social hierarchies and inequality.

Once considered a kind of delinquent activity, skateboarding is on track to join soccer, baseball, and basketball as an approved way for American children to pass the after-school hours. With family skateboarding in the San Francisco Bay Area as its focus, Moving Boarders explores this switch in stance, integrating first-person interviews and direct observations to provide a rich portrait of youth skateboarders, their parents, and the social and market forces that drive them toward the skate park.

This excellent treatise on the contemporary youth sports scene examines how modern families embrace skateboarding and the role commerce plays in this unexpected new parent culture, and highlights how private corporations, community leaders, parks and recreation departments, and nonprofits like the Tony Hawk Foundation have united to energize skate parks—like soccer fields before them—as platforms for community engagement and the creation of social and economic capital.

 

Dialogue entre Judith Butler et Athena Athanasiou : le débat tourne autour de ceux qui ont perdu leur pays, leur nationalité, leurs biens, tous ceux qui ont été expropriés de leur appartenance au monde. Que signifie cette précarité, cette perte fondamentale, dans une société capitaliste dominée par la logique de la possession ? Est-ce que cette conscience d’expropriation peut amener à une nouvelle forme de résistance, apporter une réponse politique à ceux qui ont été déchus de leurs droits, de leurs biens, en un mot, des conditions de base de la vie elle-même ?
Les soulèvements révolutionnaires au Moyen-Orient et au Maghreb, comme les manifestations sur la place Puerta del Sol, la place Syntagma et le parc Zucotti établissent une nouvelle économie politique et affective du corps dans l’espace public. La rue est l’endroit par excellence des expropriés — de ceux qui défient les forces de police et qui se regroupent spontanément dans des collectifs pour lever la voix, pour être vus et entendus. Le livre offre une introduction à la complexité des nouvelles formes de privation de droits, de dépossession et de contestation politique. Une réflexion sur la puissance du perfomatif ainsi que sur la perte de pouvoir du sujet souverain et moral classique.

Lonnie Athens examines a problem that has long baffled experts and lay people alike: How does a person become a dangerous violent criminal? He explains how those who commit brutal crimes begin as relatively benign individuals who undergo lengthy, at times tortuous. development leading them to malevolence. The process that Athens labels "violentization" encompasses four stages: brutalization, belligerency, violent performance, and virulency. Athens uses vivid first-person accounts gleaned from in-depth interviews with nascent and hardened violent criminals to back up his theory, producing a book that will appeal to a wide variety of readers interested in criminal justice, law, and sociology.
 

Sociologist Norman K. Denzin characterized Lonnie Athens's earlier work
as "the most far-reaching, provocative, and profound analysis of violent conduct" available in criminological literature. In Violent Criminal Acts and Actors Revisited, Athens returns to his pioneering work and finds that his premises are just as relevant and original as in their earlier version--and that they have been curiously, and to society's detriment, overlooked.
Rather than finding the causes of criminal behavior in external forces
or personality disorders, as conventional wisdom often does, Athens renews his fundamental argument that a violent situation comes into being when defined by an individual as a situation that calls for violence--that an actor responds to the circumstance as he or she defines it. Based on the author's many firsthand interviews with offenders and on his personal experience, Violent Criminal Acts and Actors Revisited augments Athens’s call to reexamine the source and locus of violent criminal behavior.
 

Chosen as a Lawyer's Literary Club Selection, this book looks behind stated legal rules and doctrines in the field of labor law to clearly formulate the often hidden values and assumptions that motivate those who make labor law decisions. The author demonstrates that the "received wisdom" in labor law, which is that decisions are based on analyses of the rational implications of statutory policy, language, or legislative history, fails to account for the actual history of decision-making, particularly the interpretation of the Wagner Act of 1935 that established collective bargaining and the National Labor Relations Board. Through close interpretation, Atleson shows the legal decisions that have been reached are better explained by such factors as notional of inherent property rights, the need for capital mobility, and the interest in continued productivity.

The Itza’ Maya of the Petén in Guatemala preside over a unique rainforest biosphere in danger of disappearing. Equally at risk is their own botanical knowledge, from taxonomy to medicinal uses. This volume contains a history of the Petén Itza’ Maya; explanation of Itza’ taxonomy; tables and keys to plant usage; common names in English, Spanish, and several indigenous languages; and much more.

In the Anglophone Caribbean, international queer human rights activists strategically located within and outside of the region have dominated interventions seeking to address issues affecting people across the region; a trend that is premised on an idea that the Caribbean is extremely homophobic and transphobic, resulting in violence and death for people who defy dominant sexual and gender boundaries. Human rights activists continue to utilize international financial and political resources to influence these interventions and the region’s engagement on issues of homophobia, transphobia, discrimination, and the HIV/AIDS epidemic. This focus, however, elides the deeply complex nature of queerness across different spaces and places, and fails to fully account for the nuances of queer sexual and gender politics and community making across the Caribbean. Defiant Bodies: Making Queer Community in the Anglophone Caribbean problematizes the neocolonial and homoimperial nature of queer human rights activism in in four Anglophone Caribbean nations -- Barbados, Guyana, Jamaica, and Trinidad and Tobago -- and thinks critically about the limits of human rights as a tool for seeking queer liberation. It also offers critical insight into the ways that queer people negotiate, resist, and disrupt homophobia, transphobia, and discrimination by mobilizing “on the ground” and creating transgressive communities within the region.
 

The steady expansion of college enrollment rates over the last generation has been heralded as a major step toward reducing chronic economic disparities. But many of the policies that broadened access to higher education—including affirmative action, open admissions, and need-based financial aid—have come under attack in recent years by critics alleging that schools are admitting unqualified students who are unlikely to benefit from a college education. In Passing the Torch, Paul Attewell, David Lavin, Thurston Domina, and Tania Levey follow students admitted under the City University of New York’s “open admissions” policy, tracking its effects on them and their children, to find out whether widening college access can accelerate social mobility across generations.

Unlike previous research into the benefits of higher education, Passing the Torch follows the educational achievements of three generations over thirty years. The book focuses on a cohort of women who entered CUNY between 1970 and 1972, when the university began accepting all graduates of New York City high schools and increasing its representation of poor and minority students. The authors survey these women in order to identify how the opportunity to pursue higher education affected not only their long-term educational attainments and family well-being, but also how it affected their children’s educational achievements. Comparing the record of the CUNY alumnae to peers nationwide, the authors find that when women from underprivileged backgrounds go to college, their children are more likely to succeed in school and earn college degrees themselves. Mothers with a college degree are more likely to expect their children to go to college, to have extensive discussions with their children, and to be involved in their children’s schools. All of these parenting behaviors appear to foster higher test scores and college enrollment rates among their children. In addition, college-educated women are more likely to raise their children in stable two-parent households and to earn higher incomes; both factors have been demonstrated to increase children’s educational success.

The evidence marshaled in this important book reaffirms the American ideal of upward mobility through education. As the first study to indicate that increasing access to college among today’s disadvantaged students can reduce educational gaps in the next generation, Passing the Torch makes a powerful argument in favor of college for all.

How the U.S. empire-state transformed post-1945 Afghanistan into a key site for reimagining development
 

Established in 1961 by President Kennedy, the United States Agency for International Development (USAID) is often viewed as an extension of the security state, playing a constant role on the ground in Afghanistan since the early sixties. The Quiet Violence of Empire traces USAID’s long and bloody history of development work in the region, revealing an empirically rich account of the transnational entanglements of imperialism and racial capitalism.

Wesley Attewell carefully analyzes three chronological moments of development as counterinsurgency in action: the Helmand Valley Project, the Soviet–Afghan conflict, and the post-9/11 occupation in Afghanistan. These case studies expose how USAID’s very public commitment to bringing seemingly inclusionary forms of self-help, technical assistance, and market development to Afghanistan has been undergirded by longer-standing infrastructures of race war and racial management. Attewell exposes how one of the net effects of USAID’s development mission to Afghanistan has been to constrain the life chances of Afghan beneficiaries while simultaneously diverting development capital back to U.S. contractors, deftly underscoring the notion of development as a form of slow violence.

The Quiet Violence of Empire asks the critical question: how might we refuse the ruse of USAID and its endlessly deferred promise of development? Thinking relationally across the fields of human geography, global studies, and critical ethnic studies, it uncovers the explicitly racial underpinnings of international development theory and praxis.